Rosebud / International premiere

Van Diemen’s Land

  • Jonathan auf der Heide /
  • Australia /
  • 2009 /
  • 104 mins

Oscar Redding, Jason Glover, Thomas Wright, Paul Ashcroft, Arthur Angel, Mark Winter

A visionary interpretation of the haunting tale of Australia's most notorious convict.

Jonathan auf der Heide

Jonathan auf der Heide grew up in Tasmania and studied at the Victorian College of Art’s School of Film and Television. His graduating film Hell’s Gates (2007) – a preview for his feature debut Van Diemen’s Land – was screened at the Melbourne International Film Festival and the Australia America Society in New York. He has also performed as an actor in theatre, film and television.

2009 Archive

Image from Van Diemen’s Land

Comments

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  • #1 Phil Smith / Saturday 20 June, 2009 / 23:43 GMT

    Eight British and Irish convicts flee from a hellish penal colony in 19th century Australia, but find themselves stranded in a desolate forest miles from inhabitable land, and their relief soon gives way to desperation and ruthless survival instinct. The film unfolds to be just as bleak, relentless, and eerily beautiful as the west Tasmanian landscape of its setting. This is an excellent debut from director Jonathan auf der Heide and the premise is sold with conviction. The Australian actors also do a great job with accents and even the use of Irish.

    My only disappointment is that the Q&A at the end revealed the equally fascinating aftermath of the plot's events that couldn't have been comfortably inserted into the film.
  • #2 Mike Hall / Monday 13 July, 2009 / 22:01 GMT

    Although it felt like a rewarding experience, Van Diemen’s Land is not what you would call an easy watch. The viewer is transported back a couple of centuries, and plunged into the harsh and untamed Tasmanian landscape, for a fairly straightforward tale of man v man v the environment.

    Despite its’ simplicity, it’s an affecting tale, helped by the sparse, evocative and apologetic “I’m a quiet man” voice-over that threads its way through the narrative, holding together the otherwise un-holdable. It’s very much ‘in-your-face’ as there’s little historical explanation, and only the vaguest sense of any future ahead, which compels you to focus on the here-and-now. The score is haunting, and the film is beautifully shot, with bleached-out greens emphasizing the unforgiving nature of their surroundings and predicament.

    The trailer gives a good indication of what to expect, including two of the more iconic sequences that stayed with me long afterwards – one scene where the group are running time-lapsed and ghost-like through the forest trying to escape their pursuers, the other the shockingly swift brutality with which the second inmate on the menu meets his maker.

    On the downside, I struggled to hear some of the heavily-accented dialogue (especially when the speaker was off screen), and it was hard to believe that there were no other nutritious animals in a rainforest, bar a solitary snake. Given their limited resources, quite how they would have caught them is another matter, but they’d have sure as hell tried, to save from eating each other.

    I came out feeling like I’d been badly mauled after 12 rounds in a ring with an enormous and unbeatable foe. It’s a real powerhouse of a film that I would most certainly recommend, even though one viewing is quite sufficient for me in this lifetime. 7/10.

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