British Gala / European premiere

My Last Five Girlfriends

  • Julian Kemp /
  • UK /
  • 2008 /
  • 87 mins

Naomi Harris, Brendan Patricks, Cécile Cassel, Jane March, Kelly Adams, Edith Bukovics

Based on the writings of Alain de Botton, an intelligent romcom that rings truer than most...

Just what factors contribute to the demise or survival of a modern relationship? Duncan (Brendan Patricks), for one, doesn’t care any more. He’s through with love. But just before he checks out of the whole game, he wants to share some lessons from his recent romantic adventures... In the tradition
of Stephen Frears’ High Fidelity, this smart, imaginative comedy provides a male viewpoint on the single life.

2009 Archive

Image from My Last Five Girlfriends

Comments

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  • #1 Mike Hall / Monday 13 July, 2009 / 18:53 GMT

    I’m not really a great one for rom-coms, this was a definite wife-pick and I went in with limited expectations. However, it didn’t take long for a fairly rapid re-appraisal. The basic premise - a series of takes on why some relationships don’t work out from the perspective of a slightly geeky bloke (apparently, this is grossly unfair as my wife informs me that he’s pretty hot stuff) – is not desperately original, but the manner of its execution is both well above the average and decidedly original.

    The film is crammed with witty and ingenious ideas – the Barbie doll vignette to summarise the ‘girl on a plane’ back-story is inspired, as is the Theme Park concept of a different ride for each girlfriend. Nice. The cameos are perfectly-pitched, in particular Michael Sheen and Johnny Ball, and the effervescent Vitamin C tablet fake ending was equally well-judged. The pace is fast and there’s little, if any, slack in the tight script – indeed, if I had a minor grumble, it would be that I felt the film would have benefitted from a little more time spent on character development of girlfriends 1-4.

    Effective as a comedy on a number of levels, it even managed to slot in some painful relationship truisms – the ‘cereal box’ effect at the start of a relationship, yet another clever idea – that had the audience chuckling in knowing appreciation.

    It left me wanting more, and I hope that commercial success beckons, because this film thoroughly merits it. 7/10 (which is admittedly a bit mean, and more down to me not really liking the genre).

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