Charting the picaresque ennui of China’s Generation Y through two disparate stories, first-timer Weng fashions a trenchant critique of China’s political relationship with Taiwan, and the effects of capitalism on its migrant workforce: a story that ebbs onto the very shores of the UK. A dazzling, harmonious blend of form and politic that disinters devastating proof of the price of globalisation, a value measurable in the bodies of those illegally trafficked.