Monsters
Whitney Able, Scoot McNairy
A hip, compelling road movie/romance ... with massive octopi from space.
Multi-talented Gareth Edwards wrote, shot, directed and created the visual effects for this beautifully made amalgam of monster movie and wrong-side-of-the-tracks love story – think District 9 meets It Happened One Night. Contact with alien life has gone horribly wrong, and large parts of South America are dangerously infested. It falls to rough-edged young photojournalist Andrew to track down and save the rich-kid daughter of his boss, and get her out alive...
2010 Archive
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18 June, 22:15 at Filmhouse 1
Too late!
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19 June, 18:00 at Filmhouse 1
Sold Out
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27 June, 20:05 at Filmhouse 1
Too late!
Tickets go on general release at 10am on Thursday 31 May. Filmhouse Members can buy tickets from noon on Wednesday 30 May (to become a Filmhouse Member click HERE)
2012 Festival Diary:
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Comments
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#1 Iain Leheny / Saturday 19 June, 2010 / 00:34 GMT
#2 Pete Harper / Saturday 19 June, 2010 / 00:45 GMT
#3 Rachael Dixon / Saturday 19 June, 2010 / 22:57 GMT
#4 Helen Elliott / Sunday 20 June, 2010 / 01:39 GMT
#5 Mike Hall / Sunday 20 June, 2010 / 10:49 GMT
At the Q&A afterwards, the Director was keen to re-inforce his minimalistic approach to film-making, and even though he managed to undermine this by abruptly eschewing a question about the financing, the film does look much bigger and more accomplished than essentially (as he told it) a 2-person cast working out of the back of a van. It’s beautifully shot (for example, see the night-time riverboat scene on youtube), and the judicious and sparse use of the creatures works well too – by not over-using them, we are left is a permanent state of ‘lesser suspense’ throughout the run-time.
If there’s a weakness, then it’s in the road-movie-shared-adverse-experience-love-story aspect of the film; there were some obvious plot credibility issues (leaving your passport with a jilted drunkard when you’ve only one chance to catch an early morning ferry?), the appearance of another of those ‘it only ever happens in the movies’ truisms – “if thou shalt be engaged to someone at the start of a film but thy fiancé is not actually present, then by the end of the film they shalt no longer be thy fiancé” – and a lack of obvious chemistry between the two leads (I could see what was in it for him, but not vice-versa, despite the back-story contrivances).
Overall though, the pretext is believably set-up and it’s a seamless, well-made and enjoyable yarn about the pitfalls of overland trekking in a central America that’s been infested by giant land-walking squid. 7/10
#6 Kevin Matthews / Sunday 27 June, 2010 / 09:21 GMT