The Missing Person
Michael Shannon, Frank Wood, Amy Ryan, Linda Emond, John Ventimiglia, Margaret Colin, Paul Sparks
A witty, original and offbeat noir.
Born in Philadelphia in 1978, Noah Buschel grew up in New York City’s Greenwich Village. He made his feature film debut with Bringing Rain, which premiered at the Tribeca Film Festival in 2003. His second feature Neal Cassady will be released theatrically in 2009. The Missing Person is his third film. He is currently working on Mu, which is based on Maura O'Halloran's book Pure Heart, Enlightened Mind: The Life and Letters of an Irish Zen Saint.
#1/ Wednesday 24 June, 2009 / 20:32 GMTMichael Shannon gives a brilliant performance in this movie, he really carries the audience with him throughout the film and he makes you see every nuance in the story. Personally I didn't find any of the characters rounded enough to care emotionally about them, the story is watchable but it would have been great to have a couple of characters a bit more rounded to allow the audience to get a little more from the movie.
#2/ Wednesday 24 June, 2009 / 23:58 GMTGreat central performance from Shannon, who holds onto the audience...just. The film is a little irritating at parts, slow and a little too full of it's own poetry, to help you understand or care too much about what happens to the characters. The Director is obviously more keen on the pauses in a film, between dialogue and plot events, than character development. Still, he gave it atmosphere and if it had been trimmed by about 20 mins, or had those minutes filled with more story, it would have had enough pace to be a very watchable film.
#3/ Thursday 25 June, 2009 / 20:45 GMT"The Missing Person" is the best (new) film I've seen in recent times.The last coming close being "Let The Right One In". It flows via twists and turns and if you want to see a noir-ish movie that doesn't just regurgitate old ground then this is just the ticket. Fans of "Old New York" will relish one sequence in particular. The person who "programmed" this deserves kudos for an excellent discovery.
#4 / Friday 26 June, 2009 / 17:10 GMTI absolutely loved this film! It had exactly the right balance between film noir and more modern humour. The plot was deliberately hard to follow a la Raymond Chandler, and there were other cultural references in the soundtrack and hints at Edward Hopper's work.
The 9/11 slant wasn't too over the top, just enough to add the backstory, bring the right emotions to the characters and enhance the theme without being overly 9/11ish.
I'd recommend this film to everyone, it was absolutely fantastic.
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