The Hurt Locker
Jeremy Renner, Anthony Mackie, Brian Geraghty, Guy Pearce, Ralph Fiennes, David Morse, Christian Camargo
War can be addictive…
With the violent, sexy biker-flick The Loveless (1982), vampire-western Near Dark (1987), and the pure macho adrenaline rush of Point Break (1991), it was often suggested that Kathryn Bigelow was trying to beat the Hollywood boys at their own game. Following a five-year hiatus, she delivered her most ambitious and perhaps most artistically interesting film to date – The Weight of Water, itself standing as an anomaly in her oeuvre – and then K-19: The Widowmaker, her worthy entry into the submarine genre. The Hurt Locker continues the general trajectory, albeit with a fresh emphasis: though firmly back in the world of men, here Bigelow is far more interested in the minds and motivations of the protagonists than in the violent action films that made her name, and at which she undoubtedly excels. That’s not to say The Hurt Locker – which follows a crack US Army bomb disposal squad on a tour of duty in post-conflict Iraq – doesn’t deliver its fair share of visceral, ear-splitting explosions and violence, (not to mention edge-of-your-seat drama) because it most certainly does; but the focus here is very much on what makes these professionals tick. No politics, no bigger picture – just these men, at work. The film centres on Staff Sergeant James (EIFF 2006 guest Jeremy Renner in a breakout performance) as the replacement unit chief – his predecessor having been blown to pieces while performing his duties in a nerve-shredding opening reel. The two men closest to him in the field, Sergeant Sanborn (Anthony Mackie) and Specialist Eldridge (Brian Geraghty, also appearing in Easier With Practice, p52) are affected by this adrenaline-junkie cowboy’s apparent deathwish and completely reckless behaviour. It’s this behaviour – and his colleagues' varying responses to it – that propels the narrative. Scripted by journalist Mark Boal, himself once embedded within a US Army bomb disposal squad, The Hurt Locker bears a fearsome authenticity. Barry Ackroyd’s street-level, hand-held cinematography takes the viewer to the very heart of the action, and Bigelow’s trademark, expert handling of the action keeps us ever alert to the potential threat around each corner.
2009 Archive
Tickets go on general release at 10am on Thursday 31 May. Filmhouse Members can buy tickets from noon on Wednesday 30 May (to become a Filmhouse Member click HERE)
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#1 Mark Dickson / Friday 19 June, 2009 / 23:42 GMT
#2 Scott Mackenzie / Saturday 20 June, 2009 / 00:14 GMT
#3 Craig Cunningham / Saturday 20 June, 2009 / 11:30 GMT
#4 Mike Hall / Saturday 20 June, 2009 / 13:24 GMT
#5 Shane Dobbie / Saturday 20 June, 2009 / 16:44 GMT
#6 chas nairn / Saturday 20 June, 2009 / 21:44 GMT
Now most of these films have one really exciting bomb defusal scene near the finale..not in the hurt locker..every time the soldiers are out on patrol the atmosphere is unbearably tense even when they are not actually defusing devices..i think the claustrophobia of the Iraqi city streets especially the rooftop advantages all around were captured really well here.
Some of the Buddy stuff between the soldiers was a bit disjointed and slightly pushed too far but overall the characters were really engaging especially the super crazy coo Staff Sergeant James ..easily one of the standouts here.
There were a few political statements here and there but most of them were cleverly contained in their scene rather than the reason for it.
This film plays kinda like an action/thriller set in Baghdad rather than a war film if that makes any sense.
Cool stuff:
The sound effects!
Beautiful Cinematography.
Staff Sergeant James is a crazy badass!
The SUIT!
Oh yeh did i mention it was tense.
A must see - and this is one you have to see in the cinema!
Oh yeh did i mention it was tense?
#7 Adam Knight / Sunday 21 June, 2009 / 01:31 GMT
Shellshocked.
#8 Craig Simpson / Sunday 21 June, 2009 / 12:30 GMT
#9 Shane Dobbie / Sunday 21 June, 2009 / 23:04 GMT
#10 Tania Johnston / Monday 22 June, 2009 / 10:18 GMT
#11 Rebecca Manor / Monday 22 June, 2009 / 10:34 GMT
#12 Richard Dickson / Wednesday 24 June, 2009 / 13:37 GMT
#13 Paul Laird / Friday 26 June, 2009 / 08:01 GMT
If this movie had been titled "Dude, Where's My War" and had been directed by Deuce Bigelow I'm not sure anyone would have noticed the difference.
Some very impressive set pieces and some terrific camera work but the idea of painting the theatre of conflict as an addictive video game for boys with toys is a bit, well, off...to these eyes at least.
At times it did also feel a bit like "Point Break 2 - Surfin' the Dunes" as our three "heroes" roam the deserts and streets of Iraq seeking adventure.
The cameo appearance from Fiennes was really jarring...it just didn't work on any level. I just kept thinking to myself; "Oh, what is Ralph Fiennes doing in Iraq?" He was, utterly, unconvincing...playing the sort of officer class "toff" last seen portrayed by the likes of Noel Coward.
Despite these gripes I wasn't bored, I didn't run from the cinema before the end of the (way too long) run time...it was diverting, amusing and tense in places but I couldn't shake the feeling that nothing very much was happening.
For a real insight into the horrors and tensions of the Iraq "conflict" I think Michael Winterbottoms docu-dram "Road to Guantanamo" would be hard to beat.