This collection is curated from Christopher Doyle's work as an artist and filmmaker. These pieces are 'Reverse Angles' in the sense that the camera has been used to regard the process of image-making and the role of the image-maker himself. Works that distress the film support and work on the work at hand, and collaborations with other visual artists are included, to essay the role that the eye, intuition and interaction play in the evolution of ideas to images, and the celebration that light can be of thought.